Chapter 26
Day of Knowledge, Southern Cemetery.
Hauling himself up with difficulty over a high cemetery wall, Galkin dropped to the ground on the other side unsteadily, glanced left and right, then set off at a bulky trot across the unkempt Jewish plots. Puffing and wheezing as he neared the back wall of a primitive outhouse, above the entrances of which on either side, he noticed, were daubed crudely the letters for male and for female in thick red paint. For a few moments he leaned his heaving frame against the decrepit brick structure to catch his breath.
Composure regained, Galkin peeked out around the building's right-hand side. Through a ringed array of bunched-up silver birches, which helped to conceal his position, he was able to watch the funeral proceedings at a safe distance. Between the figures at the front of a band of dark-clad mourners, the tussled grey hair of Valentin Kulyeba could just about be seen like a stormy cloudscape. When some late-comers in heavy grey overcoats arrived, they shook hands discreetly with some of those at the back of the group, bear-hugged, laughed at some inaudible remark. The tubby priest seemed to be eking out the ceremony, prolonging his stint at the centre of the drama. After a while, one or two of the attendees sat down nearby at a wooden table and chairs fixed next to a mottled-pink marble headstone, sharing a drink from a chrome and leather flask.
For Chrissakes, was he ever going to get a shot at Kulyeba? The thought crossed Osip's mind that it might not happen, a surge of panic rising inside him momentarily, though after a while his concentration wandered, so that he found himself brushing the smudges of dirt on his pleated trousers with his fingertips, considering…. He poked at a small, neat rip in the fabric around the knee, which he must have got rolling in over the graveyard wall (it was set along the top with worn-down broken glass). The torn flap in the sea-green garment that rose on the hole in his trouser leg reminded him of a small pyramid casting its shadow, and by the time he checked back on the funeral gathering, Kulyeba was gone. "Oh, Christ!" the officer gasped. Had he let him get away again? What should he do? He found himself pulled in several directions at once.
He crept back along the rear wall of the toilet block. On the side path leading to the main exit, behind a clump of dense sedge thicket, a dark shape moved—he was in time to see Kulyeba pass through the cemetery’s huge cast-iron gates. A stillness infused Osip’s consciousness, underpinned with an unexpectedly firm sense of determination. It was as if he had changed his relation to physical space: his path was not just clear, but inevitable, almost, and he felt full of energy, a ball poised at the top of an arc, ready to roll. Everything was happening in slow motion, the details sharp and vivid.
One half of the gate was turned in towards him. Through the distorted perspective of its widely space bars, he could see Kulyeba come to a halt no more than two hundred metres in front of him, pull out a mobile phone to take a call. Osip advanced, trying to carry himself lightly, all the time keeping to his left, close to the cemetery wall, so as to make his approach out of the line of sight. At the gate post, he peeked around: Kulyeba was pacing back and forth slowly along the narrow dirt pathway outside the graveyard, one hand flattened to his ear to listen more intently, gesticulating with the same hand agitatedly every now and then as he spoke.
Just then, pacing back, Kulyeba tripped, his shoes' smooth leather soles losing their grip on a loose rock or stone, so that the mobile slipped from his hand like a bar of soap, spinning in a descending curve through the air until it bounced down into an open manhole between him and the adjacent building site. Kulyeba's face reddened, and the veins in his forehead rose. His arms jerked in angry, staccato movements and a frothing stream of obscenities flooded over his lips. Behind gritted teeth, he restrained a gurgling howl of rage.
Osip stood rigid, held his breath, as Kulyeba with his back turned got down on all fours, stiffly, and crawled towards the drain; stretching his legs out behind him, knees bent, he balanced on the tips of his toes, hands placed either side of the opening, as if preparing for a sprint start. Then he lent forward and peered timidly inside.
A new plan came to Osip: he'd sneak up from behind, grab Kulyeba by the ankles and tip him in. Much less noise to attract attention. Also, with Kulyeba distracted, he'd have the element of surprise. If necessary, he could finish him off with a couple of caps, firing the gun inside the cavity to muffle the percussive sound of the shots. All these lines of reasoning went on simultaneously, in a flash.
He reached for the gun in his jacket, but it was stuck. Curling his left hand around inside his jacket to hold the ad hoc holster, he gave a good tug on the gun's grip, but by the time he’d managed to withdraw the weapon, this time resolved to use it, Kulyeba had again disappeared.
Galkin scanned a monotonous horizon. It took a second or two to realise what had happened: in front of him, a pair of well-made leather shoes were poking out of the ground, flailing: Kulyeba must have lost his balance and tumbled in, head first, so that the sides of the drain bound his arms tightly around him.
Without thinking, Galkin moved reflexively to aid the stricken man. But then, halfway, he stopped in his tracks. What was he doing? His thoughts swirled, adapted, curled themselves around him. Looking around furtively, he began to withdraw towards the cemetery gates. It wasn't as if he had pushed him in, so it couldn't be said he was to blame. The same thing would have happened even if he hadn't been there. Was he a killer? Not at heart, he knew. But did he really intend to save Kulyeba now, after tracking him for so long? Of course, he'd have shot him if it had come down to it, he reasoned: he wasn't a coward. But now that he didn't have to, couldn't he wash his hands of the matter? Continue to walk tall in front of his wife and his colleagues, his conscience clear?
The tan shoes flapped for a while in the sullen air weakly, as Kulyeba's lungs gave out. There were no cars or passers-by, and Maltsev's mourners had vanished, presumably for a well-oiled wake; even the gang of workers who were doing up the bungalow opposite seemed to have knocked off for a tea break. The officer pulled out a sky-blue Prima packet, but then thought better of it, wheeling about to creep back through the iron gate, back past the crumbling outhouse, across the Jewish plots, as if by retracing his steps he thought he was erasing them, removing any evidence of his having been there, and he hopped back up and over the cemetery wall, feeling horrified and relieved.
Day of Knowledge, Southern Cemetery.
Hauling himself up with difficulty over a high cemetery wall, Galkin dropped to the ground on the other side unsteadily, glanced left and right, then set off at a bulky trot across the unkempt Jewish plots. Puffing and wheezing as he neared the back wall of a primitive outhouse, above the entrances of which on either side, he noticed, were daubed crudely the letters for male and for female in thick red paint. For a few moments he leaned his heaving frame against the decrepit brick structure to catch his breath.
Composure regained, Galkin peeked out around the building's right-hand side. Through a ringed array of bunched-up silver birches, which helped to conceal his position, he was able to watch the funeral proceedings at a safe distance. Between the figures at the front of a band of dark-clad mourners, the tussled grey hair of Valentin Kulyeba could just about be seen like a stormy cloudscape. When some late-comers in heavy grey overcoats arrived, they shook hands discreetly with some of those at the back of the group, bear-hugged, laughed at some inaudible remark. The tubby priest seemed to be eking out the ceremony, prolonging his stint at the centre of the drama. After a while, one or two of the attendees sat down nearby at a wooden table and chairs fixed next to a mottled-pink marble headstone, sharing a drink from a chrome and leather flask.
For Chrissakes, was he ever going to get a shot at Kulyeba? The thought crossed Osip's mind that it might not happen, a surge of panic rising inside him momentarily, though after a while his concentration wandered, so that he found himself brushing the smudges of dirt on his pleated trousers with his fingertips, considering…. He poked at a small, neat rip in the fabric around the knee, which he must have got rolling in over the graveyard wall (it was set along the top with worn-down broken glass). The torn flap in the sea-green garment that rose on the hole in his trouser leg reminded him of a small pyramid casting its shadow, and by the time he checked back on the funeral gathering, Kulyeba was gone. "Oh, Christ!" the officer gasped. Had he let him get away again? What should he do? He found himself pulled in several directions at once.
He crept back along the rear wall of the toilet block. On the side path leading to the main exit, behind a clump of dense sedge thicket, a dark shape moved—he was in time to see Kulyeba pass through the cemetery’s huge cast-iron gates. A stillness infused Osip’s consciousness, underpinned with an unexpectedly firm sense of determination. It was as if he had changed his relation to physical space: his path was not just clear, but inevitable, almost, and he felt full of energy, a ball poised at the top of an arc, ready to roll. Everything was happening in slow motion, the details sharp and vivid.
One half of the gate was turned in towards him. Through the distorted perspective of its widely space bars, he could see Kulyeba come to a halt no more than two hundred metres in front of him, pull out a mobile phone to take a call. Osip advanced, trying to carry himself lightly, all the time keeping to his left, close to the cemetery wall, so as to make his approach out of the line of sight. At the gate post, he peeked around: Kulyeba was pacing back and forth slowly along the narrow dirt pathway outside the graveyard, one hand flattened to his ear to listen more intently, gesticulating with the same hand agitatedly every now and then as he spoke.
Just then, pacing back, Kulyeba tripped, his shoes' smooth leather soles losing their grip on a loose rock or stone, so that the mobile slipped from his hand like a bar of soap, spinning in a descending curve through the air until it bounced down into an open manhole between him and the adjacent building site. Kulyeba's face reddened, and the veins in his forehead rose. His arms jerked in angry, staccato movements and a frothing stream of obscenities flooded over his lips. Behind gritted teeth, he restrained a gurgling howl of rage.
Osip stood rigid, held his breath, as Kulyeba with his back turned got down on all fours, stiffly, and crawled towards the drain; stretching his legs out behind him, knees bent, he balanced on the tips of his toes, hands placed either side of the opening, as if preparing for a sprint start. Then he lent forward and peered timidly inside.
A new plan came to Osip: he'd sneak up from behind, grab Kulyeba by the ankles and tip him in. Much less noise to attract attention. Also, with Kulyeba distracted, he'd have the element of surprise. If necessary, he could finish him off with a couple of caps, firing the gun inside the cavity to muffle the percussive sound of the shots. All these lines of reasoning went on simultaneously, in a flash.
He reached for the gun in his jacket, but it was stuck. Curling his left hand around inside his jacket to hold the ad hoc holster, he gave a good tug on the gun's grip, but by the time he’d managed to withdraw the weapon, this time resolved to use it, Kulyeba had again disappeared.
Galkin scanned a monotonous horizon. It took a second or two to realise what had happened: in front of him, a pair of well-made leather shoes were poking out of the ground, flailing: Kulyeba must have lost his balance and tumbled in, head first, so that the sides of the drain bound his arms tightly around him.
Without thinking, Galkin moved reflexively to aid the stricken man. But then, halfway, he stopped in his tracks. What was he doing? His thoughts swirled, adapted, curled themselves around him. Looking around furtively, he began to withdraw towards the cemetery gates. It wasn't as if he had pushed him in, so it couldn't be said he was to blame. The same thing would have happened even if he hadn't been there. Was he a killer? Not at heart, he knew. But did he really intend to save Kulyeba now, after tracking him for so long? Of course, he'd have shot him if it had come down to it, he reasoned: he wasn't a coward. But now that he didn't have to, couldn't he wash his hands of the matter? Continue to walk tall in front of his wife and his colleagues, his conscience clear?
The tan shoes flapped for a while in the sullen air weakly, as Kulyeba's lungs gave out. There were no cars or passers-by, and Maltsev's mourners had vanished, presumably for a well-oiled wake; even the gang of workers who were doing up the bungalow opposite seemed to have knocked off for a tea break. The officer pulled out a sky-blue Prima packet, but then thought better of it, wheeling about to creep back through the iron gate, back past the crumbling outhouse, across the Jewish plots, as if by retracing his steps he thought he was erasing them, removing any evidence of his having been there, and he hopped back up and over the cemetery wall, feeling horrified and relieved.
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